https://violinspiration.b-cdn.net/wp-content/uploads/Everything-to-Know-About-the-Baroque-Bow.jpg Learn about the Baroque bow, how it was played, and its transition to the modern violin bow!
The Baroque era had its own distinctive violin bow, which had a different shape than the modern bow and gave different possibilities to the player. The Baroque violin bow came during one of the greatest periods of evolution for the violin, sometimes called “the golden era.” However, there was no such thing as a ‘standard’ bow as it originally came in a variety of designs and shapes, and they changed over time.
Still, we know quite a lot about bows used in the past, so here I’ll share with you a little bit of history and fun facts about Baroque bows and how they compare to modern-style bows. Looking at the history of the violin bow can give us a unique insight into the changes it’s undergone since the late 16th century.
What is a Baroque Bow?
A Baroque bow is the violin bow that was in use in the Baroque period (ca. 1600-1750) as well as a bow made nowadays that replicates the style. It first appeared in the late 16th century and was the main bow type in use (although with modifications) until the late 18th century when the Tourte bow was developed.
In brief, the Baroque bow was lighter and shorter than the modern bow that we use today. It was made to complement the playing of traditional dance music and to imitate a human voice.
Fun Fact: The early violin bows were used also for playing viols – 6- or 7-string fretted bowed instruments with a soundbox similar to the one of a double bass.
What is the Difference Between a Baroque Violin Bow and a Modern Violin Bow?
Let’s have an in-depth look at all the differences between a modern Tourte bow and a bow from the late 16th century till the late 18th century. But before you continue, you may first want to have a look at the overview of all bow parts.
1. Length
A Baroque bow is 63.5 – 70 cm (25 – 27.5 in) long, while a full-size modern bow has a length of 74 – 75 cm (29 – 29.5 in).
2. Weight
The weight of a historic bow is ca. 51 – 53 g, while it’s typically 57 – 63 g for a modern bow.
3. Curvature
Baroque period bows were made in a way where the stick slightly curved outwards, away from the bow hair. In later versions, it was flat. The modern violin bow stick bends towards the hair.
4. Hair tightening
The early violin bows had a detachable frog (a clip-in frog) before the screw mechanism was invented. Later, the bows would incorporate tightening with the screw but the hair would still be loose at the frog – meaning not held tightly by the ferrule.
The screw mechanism and the ferrule are standards for the modern bow.
Fun Fact: The part called “frog” isn’t named after the small, green animal, but instead refers to the shape of a frog, which in this case is a part of a horse’s hoof.
5. Winding and leather
Baroque bows have no winding, leather, or any kind of wrapping, which gives us a good grip on the modern bow.
6. Hair
A modern bow has up to 200 strands of horsehair. Bows from the 17th and 18th centuries had less hair than that.
7. Tip
The Baroque bow’s swan-like and elongated tip has a flat, pointing ending. Take a closer look at it; do you see how close the hair is to the stick near the tip?
On the modern bow, the wood at the tip and the hair are at the right angle, and there’s more wood on this part of the bow.
Below, you can see a close-up of three modern bow tips and four examples with Baroque-style tips.
8. Wood
Snakewood and ironwood were used to produce older bow sticks. Now, modern bows are made from pernambuco, brazilwood, snakewood, fiberglass, carbon fiber, and can also be a hybrid.
Tip: If you’d like to learn more about bow materials, make sure to read my post Violin Bow Materials and Which Ones Are Best. If you’re looking for a new bow, see what I prepared for you here: 11 Best Violin Bows in 2022 – Buying Guide
9. Bow hold
In the Baroque era, the bow was held above the frog, so the player would have only the stick in their hand. Currently, the most frequently used bow hold is at the frog – see the picture below.
Do you struggle with your bow hold? Check out How to Hold a Violin Bow: The 6 Steps to a Perfect Bow Hold!
The violin was also held differently. There was no chinrest nor shoulder rest, so the violin was held against the player’s chest. Because of that, the whole right arm was placed lower than it is today.
10. Sound
The baroque bow is heavier at the frog and much lighter at the tip, so it produces a different volume than our modern bow, especially close to the tip where the sound diminishes. It’s perfect for playing very fast passages and accenting strong bits in dance music with down bows. Also, such a bow makes playing string crossings and chords easier.
The modern bow has an even distribution of weight and tension throughout the bow, so it’s great for long strokes. This gives the violinist more control over the sound, including dynamics, tone, and articulation.
Listen to the examples in the video below to hear for yourself how the sound differs between bows:
How the Baroque Violin Was Played
Now that you know the characteristics of the bows from this era, it’s worth taking a closer look at how the instrument was played.
The typical Baroque violinist would hold the violin differently than we would today. The violin was pressed against the chest around the breastbone or sometimes put on the hip of the player.
The bow was held not at the lower end at the frog, but a few centimeters (inches) higher towards the tip. Usually, the violinist would use a lower 2/3 of the bow’s length and make many movements using the right-hand knuckles.
The rule of the down bow
Baroque music has the following rule: the first note of each bar and each stressed bit (so in a piece with 4/4 time signature it would be the first and the third beat) should be played down bow. This rule, combined with the fact that the bow was much heavier at the frog than at the tip, resulted in a nice natural accent when making a down bow stroke.
Baroque Bow in Use – Video Examples
Are you ready to listen to some examples of music played on Baroque instruments?
When listening the below examples, please have in mind that not only Baroque bows were used but also period instruments. The way they were built and the use of gut strings also influences the overall effect.
Summer from Vivaldi’s Four Seasons
First, have a listen to Summer from Vivaldi’s Four Seasons played on Baroque instruments:
Can you notice the differences in the bow itself and in the sound it makes compared to a similar performance on modern instruments? Feel free to add your observations in the comments below.
If you’re feeling inspired by this beautiful music, learn an excerpt from Vivaldi’s Summer with my tutorials:
- Summer from Four Seasons by A. Vivaldi – Easy Version – best for beginners
- Summer, mvmt. 1: Allegro Non Molto by A. Vivaldi – intermediate version
Bach – Violin Sonata No. 1
Next, one of the most popular pieces composed by J.S. Bach: Violin Sonata No. 1 in G minor BWV 1001.
Modern Baroque Composition: Come Bianca Luce
In this next performance of Come Bianca Luce, a modern composition for a period-instrument quartet by Massimo De Lillo, you can take a closer look at the period bows for the violin, viola, and cello. Notice how each musician holds their bow and how these techniques differ from modern bow holds.
Moving Away From the Baroque Bow to the Modern Style
The move towards the modern bow came as music styles began to change during the 18th century. Bows began to evolve to accommodate the longer notes that violinists were playing, particularly in opera houses across Europe.
Francois Tourte was one of the major innovators behind the modern bow. He created a number of transitional styles before creating the bow we recognize today. In comparison to the bow of the Baroque era, the most significant differences are the increased length, a shorter but thicker head, and the bow stick that bends towards the hair.
The change wasn’t sudden. Between a typical Baroque bow and what we recall as a typical modern bow, there were many slight changes in between. To have a better overview, check the picture below. In this picture, you can see (from the right) four bows from the transitional period and three modern-style bows.
The Baroque Bow Today
Today, most violinists use the modern bow, also known as the Tourte bow. However, musicians interested in recreating the sound and playing techniques of earlier centuries, an approach known as Historically Informed Performance, may choose to use historical bows instead. These older designs are also worth exploring for violinists who are curious about different ways of playing their instrument.
For an authentic look and sound, bow makers create these contemporary Baroque-style bows using the original snakewood material and make them available for purchase in private shops just like Eitan Hoffer who allowed me to use his pictures in this post. You can also see many options in online music shops such as Thomann, or even Amazon.
FAQ about the Baroque Violin Bow
Now, let’s answer some of the most frequently asked questions about historic bows.
How is a Baroque bow different?
A Baroque violin bow is different from a modern bow in the following aspects: it’s shorter (ca. 10cm), weights ca. 4-10 g less, the stick is curved outwards or flat, has a clip-in frog, has no winding and less hair, and the tip is flat and elongated.
Although there is no standard Baroque violin bow, its typical shape is distinctively different than the bow we use today. Moreover, the Baroque bow produces a different sound due to the fact that the weight isn’t even across the bow. That’s one of the reasons why the music played on the modern instruments and with modern bows sounds different from music played in the 17th century.
Are Baroque bows shorter?
Yes, Baroque bows are shorter than later transitional bows or modern bows. The difference can spread up to around 10 cm (ca. 4 in).
Which part of the Baroque bow has the least power?
The upper part of the bow has the least power when played due to the light weight of the tip and relatively heavy frog. The sound produced by the bow diminishes in the upper part (top 1/3 of the bow’s length) while playing a down bow.
Conclusion
Looking at the bows from the Baroque period allows us to see the innovation behind our modern bows. You can see the development of the bow hold, shape, and even materials – from snakewood to the other materials that we use today such as carbon fiber. I hope that this knowledge will help you gain a better understanding of the violin’s bow and how to play it.
If you’re now curious to learn more about violin history, head over to this blog post: What Is the History of the Violin?
Have you ever seen a live performance of Baroque music on period instruments? Or, have you ever tried playing with a Baroque violin bow yourself? Let me know in the comments below!
