How to Play Chromatic Scales on a Violin https://violinspiration.com/wp-content/uploads/How-to-Play-Chromatic-Scales-on-a-Violin.jpg

Easy guide to learning chromatic scale on the violin

Even if you’re a beginner violinist, you probably have heard of scales, as well as the benefits of studying them (have a look here if you haven’t), and that there are basically two types of them: major and minor.

This is a simplification of the various types of scales existing, and one of them is the chromatic scale. But what it is and how does it benefit you? In this article, I’ll explain it all, as well as provide you with exercises and examples of music pieces that use the chromatic scale.

chromatic scale violin - Playing on Violin

Even before you start reading, you can download the free booklet with chromatic scales here:

chromatic scale violin - free exercises

Chromatic Scales for Violin

Free Exercises Set

PDF

What is a chromatic scale on the violin?

A chromatic scale is a scale that consists of all semitones within one octave. It is also known as a 12-tone scale because it uses all 12 tones in sequence.

You’ll find several applications of the chromatic scale in fast passages and changes of position in several music pieces.

In western music, we usually use tones and semitones, even though the violin and other instruments can produce microtones (smaller pitch intervals than a semitone). If you’re not familiar with the intervals yet, check out my article about half steps and whole steps to get all caught up with semitones, the octave, etc.

What notes are in the chromatic scale?

The chromatic scale includes all twelve pitches within an octave. Starting on the C note, the notes are as follows: C, C♯, D, D♯, E, F, F♯, G, G♯, A, A♯, B, and the scale ends with C one octave higher than the starting C note.

To have a better understanding of this, imagine a piano keyboard, where each note has its key. A chromatic scale on the piano would be executed by playing the sequence of all white and black keys within a chosen octave.

chromatic scale violin - all notes

If you’re trying an easier scale on the violin, such as a scale starting on the G note, you will play the notes: G, G#, A, A#, B, C, C#, D, D#, E, F, F#, G.

Have a look at the whole violin fingerboard to see where are all the notes:

chromatic scale violin - All Violin Notes
All Violin Notes - Poster Thumbnail

Download Poster with

All Violin Notes

on the Fingerboard

High-quality poster

PDF

What is the formula for chromatic scale?

There are generally two ways of playing the chromatic scale on the violin, each has its benefits. There is no right way and you might find yourself using both, depending on the situation.

The numbers below represent the fingers you’ll have to use.

chromatic scale violin - Finger Numbers

A. Shifting individual fingers: 1 – 1 – 2 – 2 – 3 – 3 – 4

This pattern is much easier to learn for a beginner, especially if you’re not familiar with the positions, as each finger moves in the area it normally plays in the first position.

There’s even a bit easier version of this pattern: 1 – 1 – 2 – 2 – 3 – 4. In this case, you’d play the next note on the open string above. Watch my quick tutorial on this in an Improver level 5 lesson (Julia’s Violin Academy members only) and practice the scale with my violin play-alongs or the piano accompaniment.

When using this pattern, you will most likely hear some sliding sounds, which might be sometimes desirable.

During fast passages, it is possible to eliminate the sliding sound by doing rapid moves with the left-hand fingers, but I’d recommend it only for more experienced students.

B. Shifting whole hand: 1 – 2 – 1 – 2 – 3 – 4

A variation of this pattern can be: 1 – 2 – 3 – 1 – 2 – 3 but the general idea is to switch fingers for each half step. This pattern is sometimes called “Carl Flesch fingering”, named after the Hungarian violinist and teacher whose scale system I have recommended several times in my blog posts.

This pattern is useful in the following situations:

  • When playing fast passages
  • When you strive for a smooth, legato sound
  • When you want to avoid hearing glissando

When to choose which method

Assuming you’ve learned both patterns of the violin chromatic scale, you might wonder which to choose when.

If you have to play a chromatic passage, you might find yourself trying to use both methods. The final choice depends on a variety of reasons. For example, picking the first method might seem easier but if you’re playing with an ensemble, the glissando might affect the overall sound. If you’re playing solo, I suggest you make the decision based on what you have to play before or after, as well as what feels better suited for the piece you’re playing.

Chromatic Scales in Violin Pieces

Here are some well-known music pieces that use the chromatic scale, or part of it, to show you how you can benefit by learning it!

Dance of the Sugar Plum Fairy

The Dance of the Sugar Plum Fairy is a famous piece from Tchaikovsky’s The Nutcracker. In act 2 of the ballet, the celesta is introduced to the Russian music scene. The notes in chromatic descending order, along with the timbre of the celesta, are describing “drops of water shooting from a fountain”.

The celesta is a piano-like instrument that sounds similar to a glockenspiel but with a softer timbre. It was invented in 1886 and it is mainly used in jazz.

Watch my free video tutorial below, or if you’re a member of Julia’s Violin Academy, click here and watch replays of the live classes during which we studied an easy version of this popular theme in detail.

Dance-of-the-Sugar-Plum-Fairy-violin-sheet-music-tutorial

Dance of the Sugar Plum Fairy – P. I. Tchaikovsky

Free Violin Sheet Music

PDF

Phantom of the Opera

The main theme from the Phantom of the Opera musical by Andrew Lloyd Webber is one of the most well-known pieces that have a chromatic passage. You can learn an easy version of the tune with my tutorial!

Phantom of the Opera - Intermediate version - Violin Sheet Music Tutorial

Phantom of the Opera

Violin Sheet Music

PDF

Flight of the Bumblebee

Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. It is probably the most often used classical piece that appears in pop culture, including movies, shows, and commercials.

Famous violinist David Garett won World’s Fastest Violinist Guinness Award playing this piece. Here’s an interesting cover:

How do you Practice the Chromatic Scale on the Violin?

  1. Pick the pattern you’ll use and an octave, e.g. start on the open A or D string.
  2. Play all the semitones within one or 2 octaves in ascending and descending order.
  3. Often check you intonation with a tuner to make sure that you put your finger in the correct spots.
  4. When you’re familiar with the notes, try incorporating metronome in your chromatic scales practice.
    Start at slow bpm and gradually increase the speed. You can also try different rhythmic patterns to make the practice more fun!

Download the chromatic scale booklet below and start practicing right away:

chromatic scale violin - free exercises

Chromatic Scales for Violin

Free Exercises Set

PDF

Final Note

The chromatic scale is a very useful tool. It helps you learn the notes on the fingerboard that are half step apart and encourages you to learn shifting. Moreover, it is used in some of the most popular pieces, so you can prepare to play them by first learning chromatic sales.

I hope that this article helped you understand what a chromatic scale is and how to practice it.

Have you tried playing the chromatic scale? What do you find the most challenging aspect of it? Please let me know in the comments below, I always love hearing from you!

5 3 votes
Article Rating

Did you find my post useful?

KEEP ON READING...

Subscribe
Notify of
guest
8 Comments
newest
oldest most voted
Inline Feedbacks
View all comments